Jumat, 07 Maret 2014

New Law Could End Killer Whale Shows in California onlinecollegedegreee.blogspot.com

Written By 12; About: New Law Could End Killer Whale Shows in California onlinecollegedegreee.blogspot.com on Jumat, 07 Maret 2014

onlinecollegedegreee.blogspot.com New Law Could End Killer Whale Shows in California

New Law Could End Killer Whale Shows in California S


New legislation being proposed in California would begin to phase out the keeping of killer whales (Orcinus orca) in captive environments in the state. Democratic Assemblymember Richard Bloom of the state's fiftieth district announced the bill this morning at a press conference on the Santa Monica Pier. The bill, AB 2140, is informally called the "California Captive Orca Welfare and Safety Act."


If passed, the bill would end performance-based entertainment for all killer whales in California, end captive breeding programs for the species within the state, prevent the import and export of genetic materials for breeding programs elsewhere, prevent the import and export of the whales themselves, and more.


With the Pacific Ocean as his backdrop, Bloom began the announcement by describing the ways in which our relationship with one of the ocean's top predators has changed in the last forty years. "Not that long ago, the military used orcas for target practice because they were considered dangerous to humans or pests to fisherman, and were therefore deemed expendable. Well, things have obviously changed. Beginning in the 1970s, studies of these majestic creatures in the wild began to emerge, and over the next few decades we learned that orcas are neither mindless killers nor pests. In their natural habitat, orcas are docile, if not inquisitive." He went on to describe their social structure and cognitive sophistication: "Orcas are family-oriented, highly adaptable, [and] socially complex, with cultural traditions that trail only humans as the most intelligent creatures on the planet."


While Bloom has a track record of concern for the environment – he is a former California Coastal Commissioner and former Chair of the Santa Monica Bay Restoration Commission – he explained that it was his constituents and his staff who encouraged him to consider developing legislation on orca welfare. The film Blackfish was what initially sparked the interest, but Bloom also consulted with marine mammal researchers, including the Animal Welfare Institute's Naomi Rose, rather than relying entirely on the film to form his opinions. "[Blackfish] is helping to form peoples' opinions, but…that wasn't enough for me. I went out and spoke to the scientific community," Bloom said. "It wasn't until after I had gathered all of that information that I became convinced that this was an appropriate bill to carry."


While the legislation is designed to end the keeping of killer whales for entertainment purposes, the Assemblymember was clear that this was not targeted at SeaWorld per se. "This bill is not about SeaWorld and it is not intended to try and somehow harm SeaWorld and its business model." He said. "I am confident that SeaWorld can carry on without this one element of the many things that it does. SeaWorld does good work in the community. It provides funding for scientific studies, and it does marine rescue work that is highly thought of by the community."


Importantly, the proposed legislation also acknowledges the practical and scientific limitations involved in the release of captive-born animals. "Another misunderstanding about this bill is that it would somehow lead to the release of all the orcas that are currently in captivity, into the wild," he said. Because killer whale society is so complex, it would be a poor welfare decision to dump these animals back into the sea. "To simply release them into the wild would probably be releasing them to their deaths," Bloom correctly explained. Those whales for which wild release would be impossible are instead to be transferred to sea pens. Until sea pens, which are large enclosures anchored to the seafloor and attached to the shore, become available, the orcas are allowed to be kept in their existing enclosures, but not for performance or entertainment purposes.


That means that the orcas currently in marine parks and aquariums, some of whom will live out their lives in their enclosures, will still be properly cared for. The training that is necessary for veterinary care, psychological and physical enrichment, and management will still be permitted.


The full text of the proposed legislation can be found here. It's easy to understand and (in this writer's opinion) very well written. Here are the key points:



  • The bill makes it illegal to hold in captivity a wild-caught or captive-born orca for "performance or entertainment purposes." That is defined as "any routinely scheduled public exhibition that is characterized by music or other sound effects, choreographed display or training for that display, or unprotected contact between humans and orcas. Holding of an orca is not, by itself, a performance or entertainment purpose."

  • The bill also makes it illegal to import or export killer whales intended for performance or entertainment. It explicitly states that this provision would be waived for transferring an orca to a sea pen or to the wild, and doesn't apply to individuals who are "held for rehabilitation after a rescue or stranding, or for research purposes."

  • The legislation, as written, would also end the participation of captive orcas in California in breeding programs. It would be illegal to breed or impregnate any of those orcas, and it would also be illegal to "export, collect, or import" any genetic materials from those whales "for the purpose of artificial insemination." Ostensibly this would mean that researchers could still collect genetic materials for research purposes.


California is currently home to ten orcas held in marine parks or aquaria. Three of them were captured in the wild before it was made illegal, and seven were born in captivity.


At the end of the press conference, as if on cue, a bottlenose dolphin breached the surface of Santa Monica Bay, several hundred meters behind Assemblymember Bloom. It served as a good reminder that with a little patience and luck, it's even possible to witness a performance from a wild cetacean.


Header Image: Wikimedia Commons/Gordon2448.


onlinecollegedegreee.blogspot.com New Law Could End Killer Whale Shows in California

Oh my god why isn't this Michonne from The Walking Dead Barbie real onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com Oh my god why isn't this Michonne from The Walking Dead Barbie real

Oh my god why isn't this Michonne from The Walking Dead Barbie real


If there were a divine creator who loved us and watched over us, this Michonne Barbie doll would be a real product I could buy right this instant. But instead it's a beautiful figure custom-made by Park Seoung and it taunts me with its perfection, forever out of my reach.


You can see more photos of Michonne on Seoung's website, or all of his equally amazing (if less pop culture-y) custom doll-work on his Flickr page.


Oh my god why isn't this Michonne from The Walking Dead Barbie real


Oh my god why isn't this Michonne from The Walking Dead Barbie real


[Via BuzzFeed]


onlinecollegedegreee.blogspot.com Oh my god why isn't this Michonne from The Walking Dead Barbie real

Which Hollywood blockbuster has the heart of a cult movie? onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com Which Hollywood blockbuster has the heart of a cult movie?

Which Hollywood blockbuster has the heart of a cult movie? S


We celebrate cult movies for their subversiveness and willingness to defy your expectations by throwing gonzo shit at the screen. But the line between cult films and mainstream Hollywood blockbusters is never solid, especially with so many directors going back and forth. Which huge Hollywood tentpole film is really a cult movie at heart?


Please include a picture, poster or clip for your chosen movie. And please include the name and why it's really a cult movie at heart, in the following format.


Name: Total Recall (1990)


Why it's a cult movie at heart: Once and future cult auteur Paul Verhoeven goes kind of nuts in this adaptation of a Philip K. Dick story. From the exploding eyeballs to the stomach mutant to the three-breasted sex worker, this movie isn't afraid to go completely over the top, and then jump off from there. Plus Schwarzenegger is at his most manic and weird, chewing lines like "Give the people air" as if they were steak.


onlinecollegedegreee.blogspot.com Which Hollywood blockbuster has the heart of a cult movie?

Why are there square craters forming on the Moon? onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com Why are there square craters forming on the Moon?

Why are there square craters forming on the Moon? S


The moon is full of craters both large and small, but typically they come in only one shape: round. So why are scientists spotting square craters on the moon?


Top image: A square crater on Mars / Shot by UAHiRISE for the Mars Reconnaissance Orbiter / NASA


The folks over at NASA's Lunar Reconnaissance Orbiter Camera explained just what's behind the phenomenon. Typically, when an object collides with the moon, the shock wave from that collision is distributed equally around it in a round pattern. If all collisions were on ground that was equally solid, this is the shape we would always see.


But, sometimes an object happens to collide with areas of the ground where there's already an existing network of faults, and when a collision happens on that precise point, its force is no longer equally distributed. Instead, the direction of the shock wave is influenced by the faults, creating the square pattern like you see in the picture below of crater Lavoisier A on the Moon.


What's more, this phenomenon can also be seen on other planets, like the picture of the crater on Mars on top, on asteroids, and even closer to home — like in Arizona's 80-foot Meteor Crater.


Why are there square craters forming on the Moon? S


Image: Lavoisier A Crater / NASA/GSFC/Arizona State University


onlinecollegedegreee.blogspot.com Why are there square craters forming on the Moon?

Revised Cosmological Constant Predicts a Collapsing Universe onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com Revised Cosmological Constant Predicts a Collapsing Universe

Revised Cosmological Constant Predicts a Collapsing Universe


The going theory among cosmologists is that the universe will eventually rip itself to shreds owing to its ever-accelerating rate of expansion. Not so, say a pair of physicists who have just taken it upon themselves to reformulate an integral facet of general relativity: the cosmological constant.


Albert Einstein had to add the idea of the cosmological constant (i.e. the value of the uniform energy density that permeates the vacuum of space) to his theory of general relativity as a way to explain why the universe wasn't collapsing in on itself and why it appeared to be static. More recently, because the universe appears to be expanding, the cosmological constant had to be given a non-zero value.


The problem, say Nemanja Kaloper and Antonio Padilla, is that this "non-zero" value is very, very far from zero and that it's unreasonably huge. What's more, resulting "tuning" rationalizations, like the notion that the energy comes from a Higgs-like particle, are too unstable. Michael Schirber from the American Physical Society explains:



Because the cosmological constant is, by definition, constant throughout time and space, it's natural to associate it with the energy of the vacuum. Unfortunately, if one calculates the vacuum energy density from quantum zero-point fluctuations (i.e., when particles pop in and out of existence), the result is a factor of 10 120 higher than the value deduced from astronomical observations.



To address this problem, Kaloper and Padilla have slightly reformulated general relativity such that the cosmological constant is the historical average of the matter energy density in the universe, thus canceling out the input from quantum fluctuations.


The result is a relatively small cosmological constant — one which suggests that the universe's current rate of expansion will stop in the future and reverse direction, leading to the Big Crunch.


Read the entire study at Physical Review Letters: "Sequestering the Standard Model Vacuum Energy." It's also available here. Supplementary source: American Physical Society.


Top image: Computer simulation of the formation of large-scale structures in the universe, showing a patch of 100 million light-years and the resulting coherent motions of galaxies flowing toward the highest mass concentration in the center. Credit: ESO.


onlinecollegedegreee.blogspot.com Revised Cosmological Constant Predicts a Collapsing Universe

Community goes FULL Brave New World and it is wonderful onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com Community goes FULL Brave New World and it is wonderful

Last night Community unleashed all of the hard science fiction parodies. We have been waiting for this moment — we knew once Dan Harmon was done poking fun at Star Wars, action movies, zombie movies, horror movies and gangster films, eventually he would move on to weird dystopian films. And Community did not disappoint.


Here's the premise: Greendale is selected to beta test a new app called "Meow Meow Beanz" which is just a rating system that you hand you to people you're socially connected to. Like all things Greendale, it escalates quickly and the community college is transformed into a segmented dystopian society ranked by their Beanz. It's all very Aldous Huxley.


Check out a clip featuring Tim Heidecker and Eric Wareheim, and the forbidden love between a 2 and a 4. Which is complimented very nicely with the Logan's Run guard uniforms. Well Done.


onlinecollegedegreee.blogspot.com Community goes FULL Brave New World and it is wonderful

Clone Wars' final season turns Order 66 into a Hitchcockian thriller onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com Clone Wars' final season turns Order 66 into a Hitchcockian thriller

Clone Wars' final season turns Order 66 into a Hitchcockian thriller S


Today, the full run of Clone Wars was released on Netflix, including the entirety of Season Six, which never aired on television. It's a beautifully executed set of episodes that, despite a few bumps, fills in a lot of details not covered by the prequel films—starting with Order 66.


The recaps are divided up into five story arcs, so if you don't want to be spoiled, don't read each section until you've watched the relevant episodes.


The Clone Who Knew Too Much




The Order 66 arc opens the sixth season, and it is easily the season's standout storyline. Order 66 has been one of the key problems in connecting Clone Wars to Revenge of the Sith—Why would the clones who respect and befriend the Jedi ultimately betray them?—but the promos for Season Six quickly resolved that as we saw one clone, apparently responding to a sort of neurological programming and killing a Jedi commander. The shocking behavior of that one clone, Tup, spurs his fellow clone Fives to investigate Tup's affliction, uncovering the terrible secret lurking inside each clone's brain.


This arc is particularly great for a number of reasons: It's an unusually science fictional story for the space opera, and it expands on the culture of the clones. It reminded us that clones are slaves and that their fates hang on whomever is deemed to be their owner. It offers a drone-biological sentient dynamic that is humorous, but not nearly as silly as the one we saw between WAC and Colonel Gascon in Season Five. But most importantly, it's a well told thriller, one that makes the Jedi's failure to further investigate the biochip conspiracy plausible—at least for a while.


For all of Palpatine's plotting and scheming, some parts of his plan to become emperor are actually quite fragile. When Tup enters a trance-like state and kills his commander, the Jedi immediately recognize that something has gone wrong with Tup's brain. The Kaminoans, the beings who created the clone army, step in, assuring the Jedi that this must be some kind of infection. After all, they don't want the Jedi poking around in the clones' brains. The Kaminoan agent Nala Se tries to claim Tup as the property of the cloners, but the Jedi Shaak Ti wants the Jedi to study Tup in case there is a flaw in the clone's basic construction. While the two debate the finer points of work-for-hire, Fives decides he's going to figure out what is wrong with Tup, even if he has to do it himself.


Fives teams up with the medical droid AZ-3, and it ends up being a satisfying onscreen relationship. Clones are trained to disdain droids, after all, but after Fives explains that clones use names, not numbers, and that Fives is his friend, AZ-3 becomes a friend to Fives within the limited scope of his droid emotions and Fives returns the favor by calling him "Az." And AZ-3 is kind of a cut-up, especially when he tells Fives, "I always wanted to have human feelings. But I do not. Goodbye!" A possible dig at Star Trek: The Next Generation's Commander Data?


Clone Wars' final season turns Order 66 into a Hitchcockian thriller S


AZ-3 discovers a "tumor" in Tup's brain that turns out to be a rotten biochip, and Fives eventually realizes that all clones have such biochips in their brains, allowing them to be controlled by external forces. After AZ-3 removes the chip from Fives' brain, the story turns Hitchcockian; Nala Se claims that the biochips act as inhibitors for the violent behavior clones inherited from Jango Fett and that without his, Fives' is dangerous and irrational, destroying the clone's credibility. But Fives isn't irrational, and he manages to recognize what so few during this time period do: that there is a major conspiracy afoot, one that goes all the way to Chancellor Palpatine. So he seeks out the only high-ranking people he knows he can trust: Captain Rex and General Skywalker.


Fives' encounter with his brother clone in a clone bar stands in sharp contrast to Ahsoka's experience with the Jedi last season. When Fives tells Kix about the conspiracy against the clones and the Jedi, Kix does what Fives asks and arranges a meeting with Rex and Anakin. Rex and Anakin seem open to listening, but by the time they reach him, Fives has grown desperate and agitated. He can't convincingly articulate what he needs to, and is shot in a frantic moment by Commander Fox, who has tailed him to the meeting place. Even though we know that Fives won't crack the conspiracy open, this arc has an edge-of-your-seat quality to it as we see just how close he gets to shining the light on Palpatine's game. And if we look at Fives' final moments from Anakin and Rex's point of view, it's easy to see how they saw his words as the insane ranting of a clone who foolishly messed with his own brain. Rest in peace, Fives. You were the hero the Republic needed, but not the one it deserved.


Flashes of Darth Vader




The only time Ahsoka appears during this final season is in Yoda's visions, but her absence is felt in the season's second arc, which is ostensibly about how Palpatine took control of the banks but is really about Anakin and Padmé's relationship. Padmé's old flame (and world-class creep) Clovis is back and Anakin isn't just jealous—he's enraged.


There has been a lot of discussion about what Anakin will be like without Ahsoka by his side, and this Anakin is truly frightening. After Padmé is arrested for espionage, Anakin comes to retrieve her, but he's nasty, threatening to leave her—his wife—in the Banking Clan's jail. And later, when he catches Clovis trying to force a kiss on Padmé (Mostly to get her to reveal her relationship with Anakin. Really, Senator, what did you ever see in this man?), he doesn't just punch the man; he Force-chokes him and then nearly beats him to death. (Also, Clovis hitting Anakin's robotic hand and wincing in pain? Gold.) Now this is proto-Vader, the Anakin who will someday kill his subordinates because he's annoyed with them. And his dismissal of Padmé's plea for the two men to stop fighting, "You don't have a say in this" is cold.


Clone Wars' final season turns Order 66 into a Hitchcockian thriller S


We're starting to see the cracks in Anakin and Padmé's relationship, and how Anakin's emotions are overwhelming him. Aside from Anakin's violent moments, there are two scenes that were key to this story. One was Anakin's talk with Obi Wan, which was not very constructive. At this point, Obi Wan is still willing to give Anakin the benefit of the doubt when Anakin says that he and the senator are just friends, but he can see that Anakin is pained by his feelings for Anakin. Anakin needs something more at this point than advice to keep his relationship with Padmé platonic, but at this point, that's all that Obi Wan has to give.


The other scene is when Padmé decides to separate from Anakin and put their relationship on hiatus. She's also feeling the strain of their illicit secret marriage, and she doesn't like the person he is becoming. It's nice to know that making marriage work with an increasingly dark Anakin isn't easy, and that Padmé is capable of some degree of emotional self-preservation, even if she is ultimately doomed by their marriage. Thanks, Clone Wars, I'm suddenly interested in Padmé and Anakin's marriage and the series is ending.


Jar Jar Binks Has a Girlfriend




Sorry, I need to type that again: Jar Jar Binks has a girlfriend. When I saw that Clone Wars was teaming Jar Jar with Mace Windu for two episodes of the final season, I suspected that the writers were trolling Jar Jar haters a bit, but they went much farther than I ever would have expected. Queen Julia of Bardotta, ruler of a race of bird people who speak with vaguely subcontinental accents and practice Tai Chi, asks Jar Jar to investigate the disappearance of her spiritual advisor and the Jedi, recognizing that Jar Jar can't be trusted to dress himself much less solve a mystery, send Mace Windu as his babysitter. What the Jedi don't know, however, is that Jar Jar and Julia are lovers, burning this vision into our brains:


Clone Wars' final season turns Order 66 into a Hitchcockian thriller S


This is really the filler storyline of the season, dealing with a non-Force-sensitive witch who steals the living Force from spiritual people. And really, if you're going to have Jar Jar's klutziness serve as a foil for Mace Windu's competence, you're going to be telling a more playful story. So yes, we had to see Jar Jar kiss, but if you're going to use Jar Jar as a character, this is as good a way to use him as any.


The Jedi Can't Put Two and Two Together




Argh. I could smacked every single member of the Jedi Council (and Anakin) upside the head at the end of "The Lost One." After the clone arc that kicked off the season, now is the perfect opportunity to explore the mystery of Sifo-Dyas, the Jedi who commissioned the clone army. In the course of their investigations into Sifo-Dyas' disappearance, Obi Wan and Anakin encounter Count Dooku, who reveals that he had a hand in the clone project. What does the Jedi Council do? They decide to cover up the entire thing. The clones, they reason, are good men, and all this revelation would do is make the citizens of the Republic suspicious of the infantry.


Have I said "Argh" already? You know why the citizens of the Republic would be suspicious of the clones? Because they damn well should be suspicious of an army created with the help of their enemy, and so should the Jedi. What's especially frustrating is that Anakin and Shaak Ti are both present for this decision, and it somehow occurs to neither of them that this could be related to the biochip Fives discovered sitting in each clone's brain. Stupid, stupid, stupid. Of course, it's not surprising; the Jedi have, again and again, taken too many things at face value, and trusted the people their should suspect and vice versa. The Light Side of the Force isn't necessarily the bright side of the Force.


Yoda the Heretic




In fact, they don't even trust Yoda when his experiences differ from accepted Jedi dogma. When we first met Yoda way back in Episode V, Yoda was a wise old hermit living in a swamp. In the prequels, he's a bureaucrat, one of the number of Jedi who fail to prevent the rise of Palpatine—although suddenly, in Episode III, he can commune with the dead spirit of Qui-Gonn Jinn. So what happened?


Clone Wars' final season turns Order 66 into a Hitchcockian thriller S




As it turns out, Qui-Gonn happened. The dead Jedi begins speaking to Yoda, and since retaining one's personality after death doesn't fit with current understandings of the Force, the Jedi fear that Yoda is being deceived by Dark agents. But Yoda has faith in his own experience and goes on a sojourn to learn the secrets of life after death. These "mysticism of the Force" episodes can be a bit hit and miss, and this one, while visually stunning, leaves us with a bit to ponder.


There are deliberate echoes of The Empire Strikes Back, notably when Yoda has to face his own Dark Side. His Dark Side taunts him, trying to overwhelm Yoda with fear and doubt—but honestly, his Dark Side makes some good points. Yoda has been caught up in the decadence of war, failing to solve the real problems that plague the Republic. Apparently, though, Yoda can't afford that sort of interior debate right now; he has to shove away fear in order to learn the skills that he will need to someday save the galaxy.


When Yoda returns to the Jedi temple, it's with a heavy sense of fatalism. He doesn't really believe that the Jedi will win the Clone Wars, but he's playing a longer game now. It's not the cleanest connection between Clone Wars and Revenge of the Sith; the timeline feels a bit off and Yoda's speech foretelling the ultimate triumph of the Light Side over the Dark is an odd note to end the season—much less the series—on. But it does nudge Yoda in the right direction, forcing the master to become a student again and get back in touch with his spiritual ties.


And So the Sun Sets on Clone Wars




Once again, Clone Wars has delivered a solid, if flawed, season, one that reminds us why we've loved this show so much and how sad we are to see it go. It's a show that has grown and built upon itself in both story and skill. The animation for Season Six is just top-notch, filled with small details like the rat creatures that scurry out of a prisoner's cell and the undulation of tentacles out of a Jedi's head. Tup and Fives went from redshirts on an earlier mission to two clones who could have caused Palpatine's defeat. And if some of the plot holes weren't completely paved over, at least they have been filled in a little more.


But what about Ahsoka? Well, in an interview with the LA Times released today, Clone Wars show runner Dave Filoni teased that we'll be seeing more of the former Padawan:



"I'm really protective of that character, having written her and worked alongside George on all of her thoughts and actions," he said. "One thing I'm really grateful for is even though there's been a lot of transition at Lucasfilm, everybody here working creatively understands I feel that way and comes to me with questions about her.


"I have a good idea of what happened to her, and I'll just leave it at that," Filoni said.



We'll be waiting.


onlinecollegedegreee.blogspot.com Clone Wars' final season turns Order 66 into a Hitchcockian thriller