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Kamis, 06 Maret 2014

Why Ahsoka Tano is the Best Thing to Happen to Star Wars in 20 Years onlinecollegedegreee.blogspot.com

Written By 12; About: Why Ahsoka Tano is the Best Thing to Happen to Star Wars in 20 Years onlinecollegedegreee.blogspot.com on Kamis, 06 Maret 2014

onlinecollegedegreee.blogspot.com Why Ahsoka Tano is the Best Thing to Happen to Star Wars in 20 Years

Why Ahsoka Tano is the Best Thing to Happen to Star Wars in 20 Years S


Tomorrow, Lucasfilm will release final season of Star Wars: The Clone Wars on Netflix, but the season won't include an arc centered on one of the show's main characters, Anakin Skywalker's Padawan Ahsoka Tano. That's a shame, not just because Ahsoka's growth has been one of the most compelling aspects of the series, but also because her character development has wildly improved the onscreen arm of the Star Wars franchise.


This post contains spoilers through the fifth season of Clone Wars.


When watching Clone Wars over these last several years, I frequently felt that the show was working to undo the damage done by the prequel films. Anakin goes from a whiny wunderkind to a capable military leader who frequently needs to sidestep the strictures of the Jedi Order to accomplish his worthy goals. A sense of mysticism is returned to the Force (although granted, that whole Force planet of Mortis arc was pretty bonkers). Depth is added to the character of the young Obi Wan Kenobi, and he is cast not just as a noble brother figure but also a knight in the classic mold—complete with a courtly romance. Count Dooku becomes a more tragic figure, an aspiring reformer who thought he could control the terms of his Faustian bargain. The decision to resurrect Darth Maul was a risky move, but it gave the series a chance to explore a powerful villain who was tossed away in the first episode of the prequels. It gave individuality to the clones, and showed that for all their conditioning, they could desire something other than war.


Most importantly, though, Clone Wars takes the morality of Star Wars beyond Light and Dark, examining the complexities of war and the ways that even noble institutions can fail. And Ahsoka's arc has been a key part of that, one that adds weight to the fall of the Jedi in Revenge of the Sith and suggests that their fall was not inevitable.


Ahsoka is the Ultimate Star Wars Fan




When Ahsoka was first introduced, a lot of critics had two things to say about her: first, that she was obnoxious, and second, that she was going to die. Ahsoka doesn't appear in Revenge of Sith; she's not one of the Jedi we see executed under Order 66. If she's so important to Anakin, then where is she? The general suspicion was that she would die before the events of Episode III.


And Ahsoka's death would make a kind of narrative sense. Here we have this character who is like a younger sister to Anakin, whose welfare he's been entrusted with. If she died because he failed her, because he somehow wasn't powerful enough, then his insane fear that Padmé will die in Revenge of the Sith becomes more understandable.


Ahsoka seemed a character doomed for the refrigerator, one who existed to create an emotional attachment and whose death would explain the actions of another, ostensibly more important, character. Ahsoka might very well die before Revenge of the Sith, although her decision to leave the Jedi Order at the end of Season Five might offer her a reprieve. She might survive only to be killed later by Darth Vader. She might live a long life, using her Jedi training to help people outside of the rules and regulations of the Order. But however she dies, she will die not just as a vehicle for Anakin's character development, but as a fully realized character who helped highlight the Jedi's flaws.


Some older fans raised on the original Star Wars trilogy were suspicious of Ahsoka's introduction. We grew up being told that Anakin Skywalker was one of the great Jedi, the man who would become the fearsome Darth Vader. Who was this pipsqueak of Padawan to buddy up to the future Sith Lord, to tease him and question him and inform his personality? There were criticisms of her annoying little sister qualities, of a brashness that matched Anakin's own but lacked his pathos. But it's important to remember that Ahsoka was not created for adults; she was created for children, serving as a much-needed point-of-view character. When I was a kid, I wanted to be Luke Skywalker, the young person plucked from obscurity to become a powerful Jedi. The prequel trilogy was missing that, missing a character who could serve as our emotional through-line. (That person probably should have been Obi Wan, but that's a different discussion.) Through Ahsoka, children could imagine that they were having adventures with Anakin Skywalker, buddying up to him, and that they were learning how to become not just a Jedi, but also a better person.


Why Ahsoka Tano is the Best Thing to Happen to Star Wars in 20 Years


That's something that the producers of Clone Wars have always been conscious of. The show has been a huge hit; I know that when the Halloween store arrives in my city each year, the Clone Wars costumes are some of the first to go, snapped up by children who want to pretend that they're Ahsoka or Captain Rex. But Clone Wars isn't just an adventure story. It's a war story, and war is a complicated thing. It's not enough to be fighting with the people on the Light Side of the Force, especially when we viewers know that the entire thing is being orchestrated by Chancellor Palpatine. Each episode opens with a line of text, something I like to call the "Fortune Cookie," that asserts some moral or emotional "truth" about the world. Ahsoka, more than Anakin, is our moral tour guide through the Clone Wars, and she learns things about war from Anakin, from the clones, from various Jedi with varied views on the world, from the people she encounters on different worlds. As she endures sometimes painful lessons on responsibility, patience, when to fight and when to lay down arms, she becomes gradually fuller, smarter, and more confident.


The audience is learning right along with her. The Clone Wars feature film was released in 2008, and many of the shows viewers have been growing up right alongside Ahsoka. At some point, it has to become clear that for all their talk of being peacekeepers and fighting the Dark Side, the Jedi are really terrible at being the good guys. They use slaves as their infantry. They're so caught up in their role as knights of the Republic that they can't see that they're fighting a bogus war. And they put far too much trust in the will of the Force and too little in reason and the value of their young people. You can't spend all of those years telling kids that war is complicated without exposing the Jedi's flaws as well.


In the first season of Clone Wars, Ahsoka is relatively child-like. She's strong and opinionated, but she sometimes shrinks from Anakin's shouting and she relies on his wisdom in war. By Season Five, she's far more independent, training a team of freedom fighters, struggling with her own romantic attractions, and defending a group of younglings in the face of crisis. She is far more often the teacher than the student in these later episodes, and although she looks to Obi Wan and Anakin for guidance, she is far closer to being on equal footing with the Masters. By the time Ahsoka is accused of murder, she is skilled enough and self-aware enough to defy the Jedi Council, to recognize that their failure to trust her is a betrayal. If they can't trust her, she realizes, how can she trust them to uncover the truth? And she's right; the Council decides to expel her from the Order so that she can be tried by a military tribunal. When she hears Barriss Offee's defiant condemnation of the Jedi, Ahsoka is shocked, but she also understands Barriss' frustration. If she wants to be the hero she wants to be, she may have to do it outside the Jedi Order.


Ahsoka starts out very much as the young Star Wars fan, eager for adventure, believing that heroism means fighting for the Republic. By the end of Season Five, however, she is the older fan, the one who recognizes there is more to the world than "Jedi good, Sith bad." This represents a more mature vision of the Star Wars universe onscreen, one that respects its fans and doesn't ask us to take the nobility of the Jedi for granted. The show reinforces the Light Side and the Dark Side when it comes to the Force, but the rest of the world lives in varied shades of gray.


Why Ahsoka Tano is the Best Thing to Happen to Star Wars in 20 Years S


An interesting barometer for Ahsoka's development is Asajj Ventress, Count Dooku's one-time apprentice. In the early episodes of Clone Wars, Ahsoka wouldn't dream of facing Asajj alone and, in fact, believes that no single Jedi could overpower the young Sith. It's also impossible to imagine that Ahsoka exchanging a friendly word with Asajj. When they encounter one another at the end of Season Five, Ahsoka is Asajj's martial equal and they discover, to their mutual surprise, that they have quite a bit in common. They have both been thrown out into the cold by their respective orders, and they will have to figure out their place in the world as Force-sensitive rogues. And after they work together, Ahsoka recognizes that Asajj may actually be a valuable ally. A universe where Ahsoka and Asajj could plausibly team up is far more interesting than one in which they must be lifelong enemies.


The Real Tragedy of Anakin Skywalker




Clone Wars does use Ahsoka to explore the darkness lurking inside of Anakin Skywalker. For example, when the medical freighter Ahsoka is aboard goes missing, Anakin tortures the Separatist Poggle the Lesser in attempt to learn what happened to her. But the tragedy of Anakin Skywalker isn't just that he fell to the Dark Side; it's that he had no chance of reforming the Jedi Order.


As I mentioned earlier, Clone Wars does some serious rehab on Anakin's character, making his ultimate fall a great deal sadder. It isn't that the Jedi Council failed to rein in a powerful Force user—they failed a man who loved his wife and also served the Republic with honor and heart. Anakin and Ahsoka aren't the only Jedi to show a bit of spunk; Aayla Secura revels in a similar appearance of recklessness and even Obi Wan has been known to bend a rule or two. But Ahsoka represents a powerful legacy for Anakin. Under his tutelage, she learns how to be a leader, when to break regulations, to respect but not blindly follow those with more experience. She grows up into a resilient and compassionate person, one who is never broken even when the Jedi forsake her. She was already starting to pass on those same values to the Jedi younglings.


Compare Ahsoka's path to that of Barriss Offee. Barriss trains under Luminara Unduli, who is a good person but who also rigidly follows the code of the Jedi. We don't know what caused Barriss' disillusionment with the Jedi, but given Ahsoka and Anakin's experiences, it's not difficult to imagine that Barriss also felt betrayed by the noble promise of the Jedi. Whatever happened broke her spirit to the point that she felt bombing the Jedi temple was an appropriate response.


When the Jedi Council offers to allow Ahsoka back into the Jedi Order, there is no mea culpa, no recognition that the Jedi failed Barriss where Anakin succeeded with Ahsoka. She is not told that she is a valued and valuable member of the Order or that they need her to inspire the next generation of Jedi. They simply told her that her trial must have been orchestrated by the Force for her own interior growth. It's a powerful signal of the Order's stagnation and refusal to self-reflect. Anakin and Ahsoka are by no means perfect, but they could have infused the Jedi Order with a new spark of life and perhaps rewritten some of the rules that allowed the Order to be so blindsided by Palpatine. The Jedi needed more people like Ahsoka and Anakin, people who are thoughtful and aware and always trying to do the right thing. Instead they cast Ahsoka aside and treat Anakin as mere tool of war rather than as a complete person.


Why Ahsoka Tano is the Best Thing to Happen to Star Wars in 20 Years




And perhaps with Ahsoka by his side, Anakin could have found the strength to reform the Jedi. When she tells him that she is going to leave the Jedi Order, she surprises him by telling him that she knows that he's thought about leaving the Order as well. Ahsoka gets him in a way that no other Jedi—not even Obi Wan—does, and she sees not just the good in him, but also his struggles. The Jedi didn't pay attention to Barriss' frustrations and largely ignore Anakin's divided heart until it is much, much too late.


Count Dooku and Anakin aren't Palpatine's only accomplices in the death of the Republic and the rise of the Empire. The Jedi Order is complicit as well, by valuing protocol and tradition over truth and justice, and by ignoring what the experiences of its individual members say about the institution as a whole. Through Ahsoka, Clone Wars acknowledges the failure of the Jedi Order in a way that the prequel movies fail to highlight. Hopefully, as Disney and Lucasfilm continue to explore the Star Wars universe onscreen, they'll take forward the narrative groundwork that Clone Wars has laid and continue to show us the moral complexities that exist between the Light Side and the Dark Side of the Force.


onlinecollegedegreee.blogspot.com Why Ahsoka Tano is the Best Thing to Happen to Star Wars in 20 Years

Rabu, 05 Maret 2014

Were the Spartans truly the greatest warriors of all time? onlinecollegedegreee.blogspot.com

Written By 12; About: Were the Spartans truly the greatest warriors of all time? onlinecollegedegreee.blogspot.com on Rabu, 05 Maret 2014

onlinecollegedegreee.blogspot.com Were the Spartans truly the greatest warriors of all time?

Were the Spartans truly the greatest warriors of all time?


It will surprise precisely nobody that the 300 movies are not historically accurate portrayals of the Spartans, but the movies do lean on an existing myth. We all grew up thinking of the Spartans as the ultimate military badasses. Was this true?


The Spartan Triumphs


No one could deny that Spartans were one of the most impressively organized militaristic cultures in history. Their style of warfare, an eight-person-deep unwavering wall of shields and spears, broke nearly anyone who went up against them. Their intense training, starting at eight and officially lasting ten years – and unofficially never stopping – made for an absolute discipline. Their part in the Battle of Thermopylae in 480 BC is rightly acknowledged as one of the turning points of history.


Were the Spartans truly the greatest warriors of all time? S


In some ways, they are given too little credit. They weren't the guileless, undifferentiated blunt instrument they are so often made out to be. They had different fighting forces – armies, navies, and elite forces. Like all successful militaries, they employed and promoted crafty tacticians.


Spartans were among the first fighting forces to recognize the importance of spycraft and infiltration. The kryptea, a specially-trained unit, functioned as something between a spy agency and a secret police, keeping an eye on the conquered territories and on the troops at home. The Spartan empire, though small compared to world empires, was large compared to those of their neighbors. They held it for hundreds of years. This was not an accident.


The Society in the Background


It's now common knowledge that the Spartans were a slave-owning society. And while a loss to the Persians would have meant enslavement to the Spartans, it might have meant freedom to the conquered territories around Sparta. What's not often discussed is the way being a slave-owning society shaped Sparta. From nearly the beginning, the slaves, or helots, outnumbered the Spartans.


All slave-owning societies fear a slave revolt. The Spartans had more to fear than most. The concerted militarism of their society wasn't an expression of athletic prowess, or an ideal of strength. It was the way they stayed alive. The more Sparta expanded, the less they could afford to let their guard down. Sparta, like many cultures with a secret police force, was a culture of paranoia.


During a helot uprising, Athens sent troops to help Sparta put the rebellion down. The Spartans sent the Athenians packing. They didn't want Athenian values disseminated among the Spartan population, and especially the helot population. Today, the Spartans are portrayed as a freedom-loving culture – even if they only valued their own freedom. In truth, their actions and thoughts were kept in line by the government and the law.


Were the Spartans truly the greatest warriors of all time? S


Which isn't to say the Spartans didn't enjoy some freedom. Their women enjoyed the greatest freedom in ancient Greek culture, and were encouraged to read, write, own land, speak up when it came to politics, and practice sports. The upper echelon of warrior men, who had survived battles and attained rank and power, were honored and given a free hand.


The dark side to this free hand is exemplified by no less than one of the fabled 300. Aristodemus was one of the warriors at Thermopylae. He and another soldier came down with an eye infection at the beginning of the fight. Leonidas, their king and commander, ordered them to go home.


The other warrior, on the final day of battle, had a slave guide him to the field. Aristodemus, meanwhile, obeyed orders and went home. He was branded a "trembler," and suffered the fate of anyone judged to lack courage. He had patches sewn onto his cloak, letting everyone know he was a coward. All his acquaintances were to ignore him. If someone ordered him out of their way at public events, he had to obey, no matter who they were.


The Spartans were early eugenicists, and as Aristodemus had proved his genes were faulty, his daughters were no longer allowed to marry.


Were the Spartans truly the greatest warriors of all time? S


A year later, when the Spartans faced another incoming force of Persians, Aristodemus was allowed to fight, and ran eagerly to his death. His willingness to die was noted, his status as coward was officially revoked, and his children were no longer forbidden from breeding. Either Spartan soldiers would fight to the death, or Spartan society would make them wish they had.


None of this negates the impressive Spartan military victories, but it does put them in context. When we picture "warrior cultures" or "militaristic societies," they are often represented to us as cultures focused on honor, bravery, freedom, or even just the exhilaration of battle. That is the way many see the Spartans, and probably the way the Spartans saw themselves — but idealism wasn't what created their society. Their military was a practical solution to a problem. Eventually it became the only solution to that problem.


And though individual warriors were taught, and believed, that courage was the ultimate virtue, their idealism was braced by more than just morality. Each soldier knew he could risk his life and have everything, or keep it and have nothing. It was not death before dishonor. It was death before unending abuse and contempt.


The Spartans weren't alone at Thermopylae


Go, tell the Spartans, stranger passing by


That here, obedient to their laws, we lie.


This famous poem by Simonides of Ceos commemorates the most famous battle in western history. The attacking Persian army, forced to a choke point, was held at bay by a force of only 300 Spartans. And a few hundred of their slaves. And about a thousand other Greeks from different city-states. Also, there was a naval battle nearby, to keep the Persians from simply saying, "screw it," and sailing around the Spartan force.


The Persian invasion took place at an inconvenient time for the Spartans. The Olympics were happening, as well as a religious festival. If there was one thing the Spartans took as seriously as their fighting, it was their religion. They couldn't abandon the festivities, but everyone, including the other Greek city-states, knew the threat that the Persians posed. In the end, Leonidas led an elite group of 300 Spartans out to fight. (Leonidas might have felt especially pressured to go, as there were rumors that he'd killed the previous king of Sparta and married that king's daughter in order to assume the throne.) Other city-states contributed soldiers, and the overall force at Thermopylae was 5000.


Were the Spartans truly the greatest warriors of all time? S


After a few days of fighting, during which the Greeks held the pass, the Persians found a goat path along the hills that would allow them to flank the Greeks. It's not clear on whether a traitor gave the Greeks up, or whether the Persians simply found it while scouting the area. (We should feel free to blame the goats, though.)


Greek runners stationed on the path warned Leonidas, and he ordered most of the other soldiers home. There was no question that the Spartans would stay. They also kindly volunteered their own slaves. What's surprising is the fact that at least a thousand other Greeks chose to stay, knowing that they were to be massacred. The Spartans led the forces at Thermopylae, and their bravery isn't in question. They weren't the only soldiers who bravely stayed. Not only weren't the Spartans the only ones to die at Thermopylae – they weren't even the majority. They did, however, have the best PR.


The Spartan Defeats


Even in their own time, Spartans were revered for their fighting ability. Their performance at Thermopylae became a contemporary myth, and some historians do believe that it rallied all of Greece to successfully resist the Persian encroachments. That being said, they were not undefeated.


The most infamous Spartan defeat was during the Peloponnesian War, a decades-long war between Athens and Sparta that started not long after the end of the Persian threat. The defeat shocked all of Greece, including Athens and Sparta, because the Spartans weren't just beaten. They surrendered.


Were the Spartans truly the greatest warriors of all time? S


It was the Battle of Sphacteria in 425 BC. Sphacteria was a little island, technically in Sparta's own territory, on which a Spartan force was isolated after a larger battle didn't go their way. The Athenians laid siege to the Spartans, who had sheltered against some cliffside terrain, showering them with arrows and eventually surrounding them. The 120 Spartans gave up their weapons and surrendered.


Even at the time, it was unheard of for a Spartan to surrender. When asked about it, one Spartan blamed the Athenians for attacking them with arrows, which he called "spindles," instead of "masculine weapons." In other words, "They were so wimpy that we had to surrender to them." The entire fiasco proved so crushing that Sparta sued for peace. The Athenians, full of confidence, let the peace talks break down – which they must have regretted when they lost the war in 404 BC. (It's telling that Sparta actually went to Persia for the money to raise the fleet of ships that they needed to defeat Athens.)


Another famous group to kick the Spartans around was the famous Sacred Band of Thebes. Thebes provided its own 300 super-soldiers, although they have never been the subject of a film, possibly because they were all lovers. It also possible that the Sacred Band never got their stories on film because, by the time they were formed, the Spartans had already taken some hits. Thebans formed the band just after they had kicked the Spartans out of their capital city. The Sacred Band won three different battles against Spartan forces.


Were the Spartans truly the greatest warriors of all time? S


In one of the battles, in 378 BC, they won simply by refusing to follow the Spartans onto unfavorable ground. The Spartans had breached outer blockades in front of Thebes and the Theban army retreated behind the inner walls. When the Spartans charged, hoping to make the Thebans break ranks, the Thebans were ordered to assume a resting posture, calling the Spartan's bluff. The Spartans left, and then predictably complained that they should be considered the winners of the battle because the Thebans hadn't fought them right.


The Sacred Band directly fought the Spartans on two different occasions, and were outnumbered each time. In Battle of Tegyra, outnumbered two to one, they killed the Spartan commanders and charged the ranks so boldly that the Spartans opened up a channel, assuming the Thebans would use it to escape. Instead, they attacked from within and routed the Spartan troops. In the Battle of Leuctra, the Theban cavalry made short work of the Spartan ground forces, despite the fact that the Thebans commanded a force of 6000 to the Spartans' 10,000.


Were the Spartans truly the greatest warriors of all time? S


In the end, the Spartans' greatest defeat came at the hands of their own slaves. The military defeats took their toll on Sparta, as did the Spartans' slow accumulation of enemies. Eventually, the catastrophe that the Spartans had built their culture to avoid happened, and the helots successfully rebelled. Sparta was built on slavery, and with most of its slaves gone it was impoverished. It dissolved into a kind of Disneyland, where traditional Spartan rituals were performed for money in front of visitors. Its last king died trying to raise money for the city by fighting as a mercenary.


No country falls gracefully, and no entity can live up to its myth. The point of myth is to take an inspiring story and turn it into a perfect one. The Spartan legend, the legend of the supersoldiers, while based on reality, wasn't entirely applicable even in the Spartans' own time. The myth of the 300, of Thermopylae, and of Sparta as a culture of perfect warriors, has value. The reality of Sparta as an imperfect society does as well.


[Via Persian Fire:The First World Empire and the Battle for the West, The Spartans: The World of Warrior-Heroes of Ancient Greece, Arktouros.]


onlinecollegedegreee.blogspot.com Were the Spartans truly the greatest warriors of all time?

Kamis, 30 Januari 2014

On last night's Arrow the good was terrible but the bad was amazing onlinecollegedegreee.blogspot.com

Written By 12; About: On last night's Arrow the good was terrible but the bad was amazing onlinecollegedegreee.blogspot.com on Kamis, 30 Januari 2014

onlinecollegedegreee.blogspot.com On last night's Arrow the good was terrible but the bad was amazing

On last night's Arrow the good was terrible but the bad was amazing


I honestly thought Arrow's latest episode, "Tremors," was going to give me an aneurysm. I can't imagine a more effective way to swing between joy and rage. It was half kitten video, half Fox News, and I could easily spot which half was which. Everything to do with the good guys was terrible, but the villains were amazing.


The Terrible


(Just to get it out of the way, the one bright spot in the terrible part was the banter between Felicity and Ollie. Emily Bett Rickards can pull off quirky humor without being annoying – a rare ability. Stephen Amell's deadpan replies are beautiful.)


The Island Crew are trying stop an unstable Slade from blowing up Ivo's freighter, but they mustn't let Slade know that Ollie's actions indirectly led to Shado's death! I know. The Arrow crew are trying to stop an arms dealer from stealing an extra prototype of Merlyn's earthquake device, but Roy was shot full of serum that leaves him overly violent and that gets in the way of his crime fighting! I know. I've known this for multiple episodes! You've discussed this endlessly for weeks. Everyone who could possibly know this, knows this. Stop repeating the same things! Terrible!


On last night's Arrow the good was terrible but the bad was amazing S


Roy's big "I'm a beeeeeeeeeeeeeaaaaaaaaaaaaaaast," moment comes when he gently shakes Thea while trying to convince her to leave town and save herself from the earthquake machine. That's it? That's all you got? I've shaken infants harder than that! I've used more frenetic energy separating eggs! I've had more violent encounters with dandelion fluff! That's your monster moment? Terrible!


Making Dig say, "Holy god," in that choked voice? Terrible!


Even the resolution is bad. The action, dramatically speaking, is okay. When Slade freaks out and they need him to calm down, Ollie conceals the possibly damaging truth from Slade, and we know that that will send Slade down the path to villainy. They even say so in the episode. When Roy is too out of control and the earthquake machine is counting down, Ollie reveals his secret identity – another possibly damaging truth - and Roy comes out of it. He helps destroy the machine and gives Ollie a manly handshake and a thank you for saving his life. But then, at the end, Ollie explains that actually, the vigilante couldn't remind Roy of his love for Thea. Only Oliver Queen could do that, so he had to reveal his identity. Wrong! You showed one guy trust, and didn't show the other one trust, and that made the difference in their madness. That's what you've been saying all episode! For crying out loud, not everything has to be part of a love story! Terrible!


On last night's Arrow the good was terrible but the bad was amazing


Oh, and "My name is Amanda Waller"? No. No it is not. I have no grudge against the actress, but she was badly miscast as the result of the idea that there is nothing a non-stunning woman could possibly do that would make her worth an audience's attention. Take your chic heels and your perfect lip gloss and walk on home. You are not The Wall. Terrible.


The Amazing


Now let's get to the good stuff, because when this episode was good, it was out-of-this-world good. The good points aren't summed up in events so much as they're summed up in characters. So let's see who's bringing the good stuff.


On last night's Arrow the good was terrible but the bad was amazing S


A bit part who I fear won't get enough credit is the guy who broke Bronze Tiger out of prison. He robbed a liquor store in front of a police station. He got caught. He got put in Tiger's cell. Then he ripped himself to pieces like he was in a Saw movie because Bronze Tiger's claws were surgically implanted under his skin. I couldn't even look at that scene. That was bonkers-intense. Amazing.


On last night's Arrow the good was terrible but the bad was amazing


I have missed Walter Steele's smooth accent. I've also missed the prison-beard he had, but while Walter doesn't come bearing that particular gift, he comes bearing another. It seems that Sebastian Blood becoming mayor may be bad for banking, and Walter, for all his iron-jawed rectitude, is a banker. Who does he want to run? Moira. Moira Queen, with her bastard child by her psychotic ex-lover and her fixed-jury acquittal for mass murder and her underage (by drinking standards) daughter who runs a nightclub in a bad part of town and her son, who has publicly supported the other candidate. That Moira Queen. My first thought is, "This is so misguided." My second thought is, "They've just set up the Kang vs Kodos presidential race episode from The Simpsons. If I have to tape my eyes open like they did to Malcom McDowell in A Clockwork Orange, I will watch every moment of this. There is nothing that could spring from this that wouldn't delight me. Please, God, let this just keep going." Amazing!


On last night's Arrow the good was terrible but the bad was amazing S


Laurel Lance dances drunkenly through this episode, grabbing martinis and filling her apartment with filth and yelling at her dad and learning from her best friend that she's going to be called up on disciplinary charges. (I am absolutely sure that she can beat those, by the way. Think about it. The cop who arrested her both for drunk driving and for having pills subsequently kidnapped and tried to kill her. How much reasonable doubt do you need? Deny everything, Laurel, and keep chugging that wine!) But she's great. She cruises into Thea's bar, sniping at Thea and engaging in some wordplay; "Bar me from your bar. That's the theme – disbarment." Best of all, she models what I swear is an outfit, consisting of a blue-green blazer and modified harem pants over high heels,that was first worn by Blanche Devereaux in the Golden Girls sitcom. Laurel, you've sunk low and I know you're going to turn around, because Sarah finally reveals herself at the end of the episode, but it was enthralling. Amazing!


Oh, Thea. In the past I have lovingly called her a brat, and been amused by her antics. Her maturity and acceptance with dealing the Hulk Roy has disappointed me, but she makes up for it in this episode. She stopped being a brat to change herself into a bag of nuts with a wig on top of it. This human-shaped collection of loose screws, this haute couture mental patient, this female version of Norman Bates actually thinks that Mother could win the mayoral race. Her reasoning is that, since she, whose family didn't die in the disaster, whose home and job weren't destroyed by the earthquake, and who is the daughter of the only (known) living perpetrator of the mass murder, got over what Moira did, so will 51% of the eligible voters in the city Moira just devastated. She ends with a line that needs to be Moira's campaign slogan – "I don't think it's that crazy." Amazing!


On last night's Arrow the good was terrible but the bad was amazing


And lastly we have Moira. Good, wholesome Moira, who only did what she had to in order to protect her darling children from a monster! It occurs to her that a political campaign, unlike a trial for mass murder, might unearth some dirt. She confides to Walter that, due to complications in her pregnancy, she told a certain Doctor Gill that Thea was not Robert's child. She looks significantly, smilingly, into Walter's eyes as he significantly, smilingly, looks back. "We need to make sure that he won't be a problem for us." Amazing!


onlinecollegedegreee.blogspot.com On last night's Arrow the good was terrible but the bad was amazing