Sabtu, 08 Maret 2014

On Helix, evil transhumanists are the world's worst mad scientists onlinecollegedegreee.blogspot.com

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onlinecollegedegreee.blogspot.com On Helix, evil transhumanists are the world's worst mad scientists

On Helix, evil transhumanists are the world's worst mad scientists S


Last night's episode of Helix took us further toward the final showdown between Ilaria's private army and our ragtag gang of vectors, scienticians, and silver-eyed somethings. We've discovered what Illaria represents, by the way, and it involves a lot of silly science talk. Spoilers ahead!


So basically what we're dealing with are a bunch of evil transhumanists who've figured out how to live forever by lengthening their telomeres without telomerase. Which, as Sarah explains to us in an embarrassingly awful monologue, could also cure cancer! Because you could take out telomerase and then cancer would die! Ohhh, sciencey! I honestly have no idea why this show keeps trying to bring in actual science if it's going to be so painfully bad. Honestly I would be much happier if we got one line about handwavium and just got back to the plot.


As Orphan Black has already proven, evil transhumanists are the new vampires. Helix is running with that idea in a major way, which we see when Julia and Alan race to an abandoned station to track down the random scientist who stole the black good virus. He's using the barely-operating radio to call Illaria and sell them the virus. And even though Illaria supposedly has an army on the way, they send one guy with a helicopter to pick up this item that is basically the most precious item in the world to them. That one guy quickly dispatches random scientist, and chases Julia and Alan into tunnels below the station — where they find a silver eye chained up like Damon in an episode of the Vampire Diaries.


On Helix, evil transhumanists are the world's worst mad scientists S


"Free me," mumbles silver eye. He's half-crazy, but Julia tries to get information out of him about his eyes and what Hiroshi's plan is. Turns out Hiroshi has had this guy chained up for almost 30 years. All the dude wants to do is kill himself to "be free," which he does after a series of growly speeches. Apparently he's one of "the 500 immortals," which Hiroshi later explains are the people who run Illaria. Hiroshi also spills a few other facts, including the fact that Julia's mother left him when she found out that he was kidnaping Inuit kids like Miksa. But it's OK, because "most of them" went to childless families.


In a hamhanded bid to draw out suspense, Hiroshi refuses to tell Julia about how the silver eyes came to be. Obviously they've been around since the earliest days of transhumanism, since the guy Hiroshi chained up has been there since the 1980s. Maybe they're even holder, though. As many commenters have already suggested here, maybe they're actually aliens or vampires, instead of transhumanists who simply act like them. We know they're immortals with telomerase powers, but that's about it.


So let's return to what we do know. At some point, Alan tells Julia matter-of-factly that Hiroshi had a bunch of Inuit kids he was experimenting on. Which — what? Did we already know that? I mean, Hiroshi admitted he was kidnapping the children, but he never said anything about experiments. So now we just assume that he was experimenting on them, and then sent them out into the world to be adopted with Illaria's blessing? Given that this subplot involves a major character, Miksa, and a major revelation about Arctic Biosystems, I could sure have used a little more explanation here. You know, like maybe we could have cut Sarah's "so science very telomere such cancer wow" speech and actually solved the mystery of Miksa's upbringing?


Speaking of Miksa, he's rounded up the Inuit villagers with Sergio's help and they're "scattering to the winds" to escape Illaria's incoming army. I guess they're going to go hide in snowbanks or something? Anyway, who cares because Miksa's sister has told Sergio that he's a nice guy for saving their village and now she and Sergio are making out! I can't help liking this scene because, well, let's face it — Sergio is hot and his main role in this show is to make us happy by kissing people and looking shmoopy. Plus, at least nobody is telling me about telomeres and cancer.


On Helix, evil transhumanists are the world's worst mad scientists S


On that note, let's return to Sarah's epic quest to solve the mystery of Julia's genome even though she's now officially got cancer in her brain. (But don't forget we can cure that by doing things without telomerase! Next time I order a sandwich I'm totally going to try ordering it "with mustard but without telomerase" to see if that has any salubrious health effects.) Hiroshi comes in to help her and tell her she's a good scientist in a rather fatherly way. And then she gives Hiroshi the same absolution that Miksa's sister just gave Sergio. She tells him that even though he kidnaped kids, it's OK because other doctors in history experimented on children too and now we have vaccines! So it won't matter if he destroyed a bunch of families if they can figure out this miracle cure for everything.


Please note: This episode contained more than one scene where we were supposed to ponder the awe-inspiring similarities between science and miracles. I hope you were sufficiently blown away.


Sense of wonder aside, are we any closer to knowing what the virus was really for? We've got this immortal 500 making deadly virus, presumably to clear the planet of other pesky humans who might get in the way of the immortals doing whatever they do. But Hiroshi has rebelled against his fellow silver eyes by making some other virus that creates vectors. And those vectors have now made Peter into their barf-drinking god. Unfortunately, all Peter wants to do is break into Hiroshi's office and steal pictures of Julia from the My Stalker Workbook so he can stick them to the wall of his cozy duct and cry. What the hell are the vectors for? And why do they have this weird hive mind and creepy voicebox thing?


On Helix, evil transhumanists are the world's worst mad scientists S


Don't be surprised if the answer is revealed in some offhand way in a conversation about how Alan has unresolved feelings about Julia, and Sarah has unresolved feelings about Alan, and Hiroshi has unresolved feelings about Illaria. Next week, Alan will say: "I'm so sorry I didn't go to your award ceremony while that vector hive mind was busy controlling the citizens of Earth." And then Sarah, all rebooted on Julia's spinal fluid, will reply, "Yeah, but now you can have sex with me while the 500 evil transhumanists fight with their Singulatarian enemies to have the least scientific perspective on the future."


Seriously, though, next week there will be more black goo zombie action so maybe we really will find out what those vectors are doing with their barf network. That should be fun.


onlinecollegedegreee.blogspot.com On Helix, evil transhumanists are the world's worst mad scientists

Captain America and Black Widow Team up in extended Winter Soldier Clip onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com Captain America and Black Widow Team up in extended Winter Soldier Clip

Here now for your viewing pleasure are three solid minutes of footage from Captain America: The Winter Soldier, featuring Cap, Black Widow, and the rest of their S.H.I.E.L.D. cohorts infiltrating an ocean liner that's been overrun by Batroc and his crew of pirates.


Plenty of banter interspersed with ass-kicking to be had here. The last quarter of the video looks like more of what we've seen in previous trailers, including some heavy handed hints at a major character death.


[Marvel]


onlinecollegedegreee.blogspot.com Captain America and Black Widow Team up in extended Winter Soldier Clip

A homeless man finds a portal to a parallel world... and gets greedy onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com A homeless man finds a portal to a parallel world... and gets greedy

A homeless man with sticky fingers encounters a mysterious mirror in Daisuke Kaneko's ECIRAVA, a clever little animated short about... well... the title kind of says it all.


Complement with "Symmetry," a live-action short film and audio/visual palindrome.


onlinecollegedegreee.blogspot.com A homeless man finds a portal to a parallel world... and gets greedy

This mesmerizing kinetic sculpture turns water into wood onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com This mesmerizing kinetic sculpture turns water into wood

This mesmerizing kinetic sculpture turns water into wood


Drawing inspiration from the captivating kinetic sculptures of Reuben Margolin, this beautiful handmade automata by designer Dean O'Callaghan mimics the ripple effect of a droplet making impact with water.


If you've never seen it, the motion that the sculpture conveys (of a single droplet perpetually bouncing) bears a close resemblance to the fantastic-to-behold cascade effect.


ht NOTCOT


onlinecollegedegreee.blogspot.com This mesmerizing kinetic sculpture turns water into wood

How to solve the problem of NSA surveillance onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com How to solve the problem of NSA surveillance

How to solve the problem of NSA surveillance S


Leave it to the folks at Abstruse Goose to deliver one of the most tragicomically honest observations on the current state of NSA surveillance.


Sad but true. I especially appreciate Ann Finkbeiner's commentary on this comic over at Last Word on Nothing, especially the bit I've emphasized, which is pretty amazing/unsettling:



I'm pretty sure if the NSA put their massive minds to it, they could figure out how to hear us thinking, let alone typity-typing on our computers without an internet in sight. Did you know that NSA is the country's largest employer of mathematicians? It is. Respect their powers.



Sleep soundly, everybody!


[Abstruse Goose via Last Word on Nothing]


onlinecollegedegreee.blogspot.com How to solve the problem of NSA surveillance

Read E.B. White's poignant explanation for writing Charlotte's Web onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com Read E.B. White's poignant explanation for writing Charlotte's Web

Read E.B. White's poignant explanation for writing Charlotte's Web S


One of the greatest children's books ever written, E.B. White's Charlotte's Web is notable not just for its lovely prose but for its masterful handling of themes on death and dying. In a letter written to his editor a few weeks before the book's publication, White explains why a peculiar truth about farms makes them such appropriate spaces for exploring the concept of death, and how this moved him to write the book in the first place.


Above: One of Garth Williams' gorgeous original illustrations for Charlotte's Web


Writes White to his publisher, Ursula Nordstrom:



I have been asked to tell how I came to write "Charlotte's Web." Well, I like animals, and it would be odd if I failed to write about them. Animals are a weakness with me, and when I got a place in the country I was quite sure animals would appear, and they did.


A farm is a peculiar problem for a man who likes animals, because the fate of most livestock is that they are murdered by their benefactors. The creatures may live serenely but they end violently, and the odor of doom hangs about them always. I have kept several pigs, starting them in spring as weanlings and carrying trays to them all through summer and fall. The relationship bothered me. Day by day I became better acquainted with my pig, and he with me, and the fact that the whole adventure pointed toward an eventual piece of double-dealing on my part lent an eerie quality to the thing. I do not like to betray a person or a creature, and I tend to agree with Mr. E.M. Forster that in these times the duty of a man, above all else, is to be reliable. It used to be clear to me, slopping a pig, that as far as the pig was concerned I could not be counted on, and this, as I say, troubled me. Anyway, the theme of "Charlotte's Web" is that a pig shall be saved, and I have an idea that somewhere deep inside me there was a wish to that effect.



White goes on to explain his decision to include spiders – and Charlotte, in particular – in the story with a rather moving tale. All in all it's a beautiful missive on the reasons writers write what they do, and concludes on a note we think most artists will identify with:


"I haven't told why I wrote the book, but I haven't told you why I sneeze, either. A book is a sneeze."


Read the full correspondence between White and his editor at Letters of Note.


onlinecollegedegreee.blogspot.com Read E.B. White's poignant explanation for writing Charlotte's Web

1940s Computer-Power onlinecollegedegreee.blogspot.com

onlinecollegedegreee.blogspot.com 1940s Computer-Power

For International Women's Day, flashback to the early days of NASA. Fundamental research in aerodynamics using wind tunnels and the very earliest push into supersonic flight are piling up stacks of data. All that data went through computers, the women who performed data transcription and reduction.


1940s Computer-Power S


Computers of the NACA Muroc Flight Test Unit. Standing left to right: Mary (Tut) Hedgepeth, Lilly Ann Bajus, Roxanah Yancey, Emily Stephens, Jane Collons (Procurement), Leona Corbett (Personnel), and Angel Dunn. Kneeling left to right: Dorothy (Dottie) Crawford Roth, Dorothy Clift Hughes, and Gertrude (Trudy) Wilken Valentine.


This photo dates is from the Dryden Flight Research Center, back when NASA was still NACA. These women translated oscillographs into numbers for analysis. After extracting, calculating, and reducing the data from aircraft instruments into a useable format, they handed it off to aerospace research engineers for analysis.


Not every day involved giant, grinning snowmen (or having staff BBQs). Most days, being a computer meant long days at a light-table trying to decipher grainy photographic film. Roxanah Yancey directed her team of computers, and was responsible for ensuring accurate calculations were made form the long strips of test flight data accumulated during research flights out of the station. As more and more tests were flown, a call went out to gather computers from Langley, Lewis, and Ames laboratories.


1940s Computer-Power S


From the left: Geraldine Mayer and Mary (Tut) Hedgepeth with Friden calculators on the their desks; Emily Stephens conferring with engineer John Mayer; Gertrude (Trudy) Valentine is working on an oscillograph recording reducing the data from a flight. Across the desk is Dorothy Clift Hughes using a slide rule to complete data calculations. Roxanah Yancey completes the picture as she fills out engineering requests for further data.


Why were computers almost exclusively women? Partly for the same reason Pickering hired them: they were far cheaper to employ than men. The caption at the NASA archive offers an alternate explanation, "at least part of the rationale seems to have been the notion that the work was long and tedious, and men were not thought to have the patience to do it." The women are bad at math idiocy is a recent occurrence: 1940s women were all about slide rules. Working as a computer in this pre-OSHA era meant long hours hunched over a light table, squinting at tiny images. The result was that most computers who didn't start out wearing glasses eventually ended up with them.


Without the NACA computers, developing air foils shaping wings and propellers couldn't have happened. Today I offer my thanks to Yancey and her team, some of the hidden women in the history of space flight.


Photographs and captions from the NASA/Dryden archives E49-0212 and E49-0053


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onlinecollegedegreee.blogspot.com 1940s Computer-Power